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How to DM Brands for Collabs: Instagram and TikTok Scripts That Get Replies

A collab DM that gets a reply is short, specific in its first six words, carries no link, and asks one easy question about the brand, not about you. Send one message, wait four days, then follow up once. When they reply, send the link and move the conversation to email, where budgets live. Five scripts below.

By Andrew, Founder, Plug Pro··4 min read
Why the first six words decide it
Five scripts, copy and adapt
The two-step from DM to email
Over a creator's shoulder in a café: a phone showing a message thread with a small skincare brand, the reply half-typed.

A collab DM does not arrive in an inbox. It arrives in Requests, where the brand sees your name, your avatar, and roughly forty characters of preview. Nothing about your rates, your kit, or your follower count survives that screen. The whole job of the first message is to get out of it.

This guide is the DM half of pitching. The full system, DM to email to booking, is the free book Get Brands to Reply; the email side is in how to pitch to brands. Here: the DM, five scripts, and the two-step that moves a reply to where the money is.

The four rules that decide it

  1. The first six words are about them. That is the preview. "Just tried the new cleanser after" beats "Hi! I'm a creator who" before the message is even opened.
  2. No link in the first message. A link from a non-follower is the strongest spam signal there is, to the platform and to the person, and your profile is one tap away anyway.
  3. One easy question. "Is the launch getting creator content?" is answerable. "Interested in a collab?" is a decision about you.
  4. Then stop. One message, four days, one follow-up. The pitch, with the link, is message two.

Five scripts

Adapt every bracket. The specific detail is the message; the rest is scaffolding.

1. The launch reply (reply to a story or post about a launch)

Just tried the [product] after your launch post, and the [specific thing you noticed]. Is the launch getting any creator content?

2. The customer opener (a product you already bought)

Been using [product] for [time], the [specific result] is real. Do you ever work with creators on [format], or is it all in-house?

3. The local one (a shop, café, studio near you)

Was in on [day], the [specific item] is the reason I will be back. Do you work with local creators, or would a quick visit reel be useful for the new menu?

4. The gap (something their feed is missing)

Love the product shots, noticed there is no talking-to-camera content on the feed yet. Is that a format you have tried, or on the list?

5. The seeding ask (for PR lists, from the PR packages guide)

Made this after the launch since [product] has been in my routine for a month anyway. If you seed creators for the next drop, I would love to be on the list.

Attach a clip to 5 if you made one. Never attach a link.

The two-step: from DM to email

When they reply, and small brands often do within a day, message two carries the link and the switch:

Amazing. Here is my page with the work and rates: [link]. I will email the full concepts to [hello@ or the name they gave] too, so it is easy to forward.

That sentence is the most important one in the process. The DM got you noticed; the email is what gets forwarded to whoever holds the budget, and it is the thread the deal will live in. From here the pitching guide takes over: six lines, one link, the ask.

The follow-up is the switch. Day four, one message: "Sent you an email too, in case DMs get buried." It only works because you are running both channels, and it reads as organised where a third DM reads as pushy.

What to send when they ask for rates in the DM

Two questions first, then a number: what format they have in mind, and whether it is for their channels or yours. Then a floor and the paid-usage multiplier from your rate card. Rates typed into a DM get screenshotted and forwarded without context, so keep the number to a starting point and put the full quote in the email. The rate card template is the structure.

Keep the record

Every DM you send is a pitch, and pitches you cannot see are pitches you forget to follow up. On Plug Pro, tapping I sent it on a brand starts the follow-up clock, so the day-four nudge and the switch to email show up as reminders instead of good intentions. The follow-up reminders page covers the cadence; the outreach worklist is where the DMs and the emails sit side by side.

FAQ

Should I send brands a DM or an email?

Both, in that order. A DM lands where the brand already is and gets you noticed fast; an email lands where the budget lives and is what gets forwarded and booked. Open with the DM, then move to email the moment they reply. Small, founder-run brands often close entirely in DMs; bigger ones almost never do.

Why does no one reply to my collab DMs?

Usually one of three things: the message opens with you instead of them, it carries a link in the first message, or it asks a decision-sized question like interested in a collab. Fix all three: lead with one specific thing about the brand, no link, and one question they can answer without thinking.

Can I put my media kit or rate in the first DM?

No. The first DM has one job, getting out of Requests and into a reply. Rates and kits come in message two, after they answer, ideally by email where a rate can be forwarded to whoever holds the budget. Sending a rate cold is how a DM gets left on read.

How many brands should I DM a week?

Five to ten, each written for the brand it goes to. Copy-pasted DMs read as spam to the platform and to the person. Ten real ones a week beats fifty templates, and the second free book on this site is built around that exact volume.

How long should I wait before following up on a DM?

Four days, once, and make the follow-up worth reading: a new piece of content, or a switch of channel such as sent you an email too. After one follow-up with no reply, move on and put the brand on next quarter's list. A third DM reads as pressure.

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